David Stagg

About
My Book

The Burning Ones
By David Stagg

Mark the perfect man, and behold the upright: for the end of that man is peace.

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Beartooth

Sick Inside

“I could really care less about how many people think we’re cool. That’s not why I wrote the songs. I literally wrote them to keep my head on straight and be honest with myself in a lot of ways, because I had never been honest with myself before.”

In Full ➟
Chelsea Grin

The Red Badge of Alex Koehler

“When this band started I was 16. Now I’m 23. The older lyrics were just written based around bands I idolized at that age, just gory and disgusting. This album was really easy for me because I decided I wanted to write about real life.”

In Full ➟
iwrestledabearonce

Run Fast, Play Heavy

“The day I stopped believing in God was the day that God didn’t answer my prayers that the frickin’ Looney Tunes squad would come out of my TV with Michael Jordan and be my friends. I did meet Charles Barkley once. Wait. Twice.”

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Tombs

Anger, Alchemy, Gold

“When you’re 22 years old, everything’s intense. Nowadays, the writing just comes more from an attempt to understand than from anger.”

In Full ➟
More Long Form

A Quote

I can imagine him, with his puritan heritage … in that city foreign and paradoxical, with its atmosphere at once fatal and languorous, at once feminine and steel-hard—this grim humorless yokel out of a granite heritage where even the houses, let alone clothing and conduct, are built in the image of a jealous and sadistic Jehovah, put suddenly down in a place whose denizens had created their All-Powerful and His supporting hierarchy-chorus of beautiful saints and handsome angels in the image of their houses and personal ornament and coluptuous lives.

General Compson on New Orleans
Absalom! Absalom!
By William Faulkner

A Video

Matt Greiner is the drummer for August Burns Red and is also known as one of the most important and technically proficient drummers in metalcore. He also happens to be a friend, and I love being able to support his incredible talent.

His band’s latest album, Guardians, was released last Friday, and the week before he appeared on Season Two’s debut episode of Zildjian Live to perform “Pteranodon,” written by Robert Sput Searight and Mark Lettieri, with Ghost-Note.

It also happens to feature one of the most seamless and moving uses of a bass solo I’ve ever heard.

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